A jubilant Gregory Charles shows his appreciation, his inimitable enthusiasm and unparalleled joie de vivre at the Harmonium tribute, a concert held at the centre de la Nature in celebration of La Fete Nationale.
(Photo: Martin Alarie)
Photo:Art
135,000 at Centre de la Nature for Harmonium tribute
Gregory Charles both won and lost his bet regarding the June 23rd Harmonium-L’Heptadeconcert at Centre de la Nature. Artistically, the show was a great success, but on a level of popularity, the result was less than impressive.
It was an audacious undertaking, a risky proposition: put on stage a production sprinkled throughout with numerous instrumental interludes, pieces of music which turned out to be more calming than stirring, on the eve of the Fête Nationale.
Said Alain Trudel, maestro of the Laval Symphony Orchestra (OSL):"I admire Gregory’s spunk for having selected this orchestral poem (L’Heptade). It’s good to see one of the great works of our heritage brought back. At the end, the musicians told me they had lived through the concert of their lives. Even at the moments of silence, we were singing with everyone."
From his first moments on stage, Gregory Charles foreshadowed the event: "We’re here to hear the music of fire! L’Heptade in a park full of people; it’s been thirty years since we’ve done it," he exclaimed.
On stage
The tribute to Harmonium was in fact a detour for those who love progressive rock of the 1970s. Musically, some minor technical glitches did little to tarnish the wonderful performance of the artists on stage, this, despite the fact that as singers’ eyes were glued to the teleprompters, they were somewhat impeded from communicating the full intensity of their passion to the audience.
Disappointed spectators might have compared the show to an evening of karaoke on a large scale.
However, it’s impossible to deny that seminal pieces from Harmonium’s first album are classics, while Neil Chotem’s arrangements make of L’Heptade a masterpiece. The listener grasping it as much in the OSL’s soaring symphonic delivery, nuances included, as in the poetry of Serge Fiori, well-rendered notably through the voices of Marc Déry and Boom Desjardins.
Wrong time, questionable choice
Among the crowd, acerbic comments surfaced throughout the performance. Programmed for the Saint-Jean-Baptiste celebration, the music lacked festive spirit, fact confirmed by the steady stream of spectators expressing frustration as they left the site, even before the show’s first hour had elapsed. A show of this magnitude deserved a better fate and a better place within the nine-day Mondial Choral Festival, perhaps as part of the closing production.
Other reproaches were heard among the 135,000 spectators at the event, concerning the physical set up. With such a large crowd on hand, where were the giant screens of previous years? And why were there only two concession stands? (Having to wait an hour for service does nothing to enhance one’s appreciation of an event of this magnitude.)
In meantime
These annoyances, despite their negative impact on a grand initiative which deserved a better fate, can cast no doubt on the fact that the event represented a great moment in musical history: a sumptuous tribute to Harmonium and a way of saying that in Laval, the Fête Nationale is celebrated in a different way.
The last word is left to the Laval poet, Leslie Piché: “Two days after the concert, this music that is not heard anymore anywhere is still with me. I have (fond) memories of the Fête des Voisins and I must confess I feel the same exhilaration as I felt then. Gregory Charles has given back to the nation a powerful and fragile work. There’s more (to life) than the (circuses) of bread and games…”
Photo: Grego
(Photo: Martin Alarie)
Photo:Art
(Photo: Martin Alarie)
Photo:Fest
(Photo: Martin Alarie)
Photo:Artists
(Photo: Martin Alarie)